Physics and Photography
Homework #3
Due SEPTEMBER 24, 2003
Reading:
1)
P.
H. Emerson- Science and Art
2)
Gertrude
Kasebier- Studies in Photography
3)
Gleeson
White- The Nude in Photography
4)
Sample
critique
These articles are being Xeroxed and can be picked up in the Honors Office in Milledoler Hall on Friday, September 19. We will discuss them in depth next week in class.
5)
“Photography”- Chapter 7
Written
Work:
The “standard” weekly submission (which will be due each Wednesday, starting next week, October 3) consists of:
1) two critiques, one of which will be of your
own photo to be handed in with the analysis, and one of which will be an
“outside” image of your choosing. You must include either a facsimile
print of the work you are considering, or a URL where I can locate it,
etc. (Obviously, I need to see the
photograph for your critique to make any sense to me.) The outside work should address the photo
assignment in question. I.e., next week
you will be asked to strive for SIMPLICITY (see below). Your outside photo (and critique) should
focus on this as well.
2)
Three
technical questions, from which I will select for class discussion.
I
will often give you one or more
“problems” which are also to be turned in with your other work.
Problems:
1)
You
know that the sequence of f-stops is one that doubles (or halves) the amount of
light that is admitted into the camera.
The sequence of f-stops is:
1, 1.4,
2, 2.8, 4, 5.6, 8, 11, 16, 22,
32, etc.
How is this sequence related to the sequence of doubling
(or halving) the amount of light when we progress to different f-stops? In other words, how does the above sequence
of numbers relate to the sequence:
1, 2,
4, 8, 16, 32, 64, etc.
(Putting it another way, what mathematical operation
do you need to perform on the first sequence to get the second?)
2)
Many
lenses have “click stops” that are spaced every ˝ f-stop.
a.
Interpolate
the sequence: 1, 1.4, 2, 2.8, 4, etc. and find out what the numerical values of
the intermediate f-stops are.
b.
What
is the multiplicative factor between each ˝ stop?
SIMPLICITY--
For next week, I want you to strip your subject matter down to the
essential bare bones. Eliminate clutter
and unnecessary distraction. Invest the
photo with emotion